News
Current
Stadt, Wert, Fluss
mit Eiko Grimberg und Michael Schmid
16. Oktober – 24. Oktober 2023
Haus 1, Berlin
Upcoming
LUISE MARCHAND / STEFANIE SEUFERT (duo)
25. Februar – 06. April 2023
Opening: 24. Februar 2023
Laura Mars Gallery, Berlin
LIQUID COMPANY - FLÜSSIGE GESELLSCHAFT (DF13 TOUR)
04. Februar – 02. April 2023
Opening: 03. Februar 2023
Museum im Kleihues-Bau, Kornwestheim
LIQUID COMPANY - FLÜSSIGE GESELLSCHAFT (DF13 TOUR)
28.04 – 04.06.2023
Opening: 28. April 2023
Museum für Photographie, Braunschweig
LIQUID COMPANY — flüssige Gesellschaft
DF13 Tour, Folkwang Museum, Essen
2022
selected Exhibitions











ZEIT IST GELD. EINE SCHNECKE IST EINE SCHNECKE
1200 Plakate auf Werbeflächen im Stadtraum zum Gallery Weekend, Berlin
2021






JUNGE KUNST AUS DÜSSELDORF (Trio)
Stadtgalerie Kaarst
2020





POW — THE POWER OF WE (Solo)
HGB Galerie, Leipzig
2019









TENDER BUTTONS
Künstlerhaus Bremen
2019



TOUCH
nGbK, Berlin
2018



ACTS OF RESPONSIVNESS
(Duo with Peggy Pehl, Kuratorin Agnieszka Roguski)
Torrance Shipmann Gallery, New York, USA
2017




SITUATIONS/FLESH
Fotomuseum Winterthur, Schweiz
2017

BYE BODY, BYE (solo)
The Grass Is Greener Galerie, Leipzig
2016



Billboard Works in Public Space, Dresden Public Art View, OFFM Panel Arts
Dresden, Frankfurt am Main und Leipzig
2015





All Exhibitions
Beispielausstellung Nr. 1
Die Zeichen stehen gut
POW
Zeit ist Geld. Eine Schnecke ist eine Schnecke.
Plakate zum Gallery Weekend
Liquid Company – flüssige Gesellschaft
Muttererde
To see a full view of the work, revisit the site soon. The site is currently under construction.
The signs are good.
Die Zeichen stehen gut.
Miriam Stoney
Post-industrial society has lost its grip on notions of work, rest and leisure. The rise of immaterial labour has been met with a growing optimisation of the individual, a continuous variable with multiple presences and temporalities. The prevalence tide of mixed, private-professional engagement forces us to be always, all ways, switched on. What does this mean for our intimate lives, our privacy and our integrity?
Our needs and desires are changing, as are our values. Well, the signs, the prospects, the indications are good. Good for what, for whom? Ask the objects that surround us, that serve us and distract us on a daily basis. Objects that perform so that we can too. They help us tend to our delicate, docile bodies so we can stay in the race, multi-tasking and mobile. Carefully compartmentalised, even our tears are ergonomic these days.
Kinesio tape on the shoulder replaces a warm hand, a touch helping us keep it together. As technologies of self-regulation and -exploitation are condensed and dispersed through our mental, emotion and physical lives, we’d better stay on the good side of these gadgets and tools.
Post-industrial society has lost its grip on notions of work, rest and leisure. The rise of immaterial labour has been met with a growing optimisation of the individual, a continuous variable with multiple presences and temporalities. The prevalence tide of mixed, private-professional engagement forces us to be always, all ways, switched on. What does this mean for our intimate lives, our privacy and our integrity?
Our needs and desires are changing, as are our values. Well, the signs, the prospects, the indications are good. Good for what, for whom? Ask the objects that surround us, that serve us and distract us on a daily basis. Objects that perform so that we can too. They help us tend to our delicate, docile bodies so we can stay in the race, multi-tasking and mobile. Carefully compartmentalised, even our tears are ergonomic these days.
Kinesio tape on the shoulder replaces a warm hand, a touch helping us keep it together. As technologies of self-regulation and -exploitation are condensed and dispersed through our mental, emotion and physical lives, we’d better stay on the good side of these gadgets and tools.
Post-industrial society has lost its grip on notions of work, rest and leisure. The rise of immaterial labour has been met with a growing optimisation of the individual, a continuous variable with multiple presences and temporalities. The prevalence tide of mixed, private-professional engagement forces us to be always, all ways, switched on. What does this mean for our intimate lives, our privacy and our integrity?
Our needs and desires are changing, as are our values. Well, the signs, the prospects, the indications are good. Good for what, for whom? Ask the objects that surround us, that serve us and distract us on a daily basis. Objects that perform so that we can too. They help us tend to our delicate, docile bodies so we can stay in the race, multi-tasking and mobile. Carefully compartmentalised, even our tears are ergonomic these days.

Publications
DIE ZEICHEN STEHEN GUT
Publication 3rd edition to be ordered from November at Edizione Multicolore
Current
Stadt, Wert, Fluss
mit Eiko Grimberg und Michael Schmid
16. Oktober – 24. Oktober 2023
Haus 1, Berlin
Upcoming
LUISE MARCHAND / STEFANIE SEUFERT (duo)
25. Februar – 06. April 2023
Opening: 24. Februar 2023
Laura Mars Gallery, Berlin
LIQUID COMPANY - FLÜSSIGE GESELLSCHAFT (DF13 TOUR)
04. Februar – 02. April 2023
Opening: 03. Februar 2023
Museum im Kleihues-Bau, Kornwestheim
LIQUID COMPANY - FLÜSSIGE GESELLSCHAFT (DF13 TOUR)
28.04 – 04.06.2023
Opening: 28. April 2023
Museum für Photographie, Braunschweig
DIE ZEICHEN STEHEN GUT
Publication 3rd edition to be ordered from November at Edizione Multicolore

selected Exhibitions











LIQUID COMPANY — flüssige Gesellschaft
DF13 Tour, Folkwang Museum, Essen
2022







ZEIT IST GELD. EINE SCHNECKE IST EINE SCHNECKE
1200 Plakate auf Werbeflächen im Stadtraum zum Gallery Weekend, Berlin
2021






JUNGE KUNST AUS DÜSSELDORF (Trio)
Stadtgalerie Kaarst
2020










POW — THE POWER OF WE (Solo)
HGB Galerie, Leipzig
2019




TENDER BUTTONS
Künstlerhaus Bremen
2019




TOUCH
nGbK, Berlin
2018





ACTS OF RESPONSIVNESS
(Duo with Peggy Pehl, Kuratorin Agnieszka Roguski)
Torrance Shipmann Gallery, New York, USA
2017


SITUATIONS/FLESH
Fotomuseum Winterthur, Schweiz
2017




BYE BODY, BYE (solo)
The Grass Is Greener Galerie, Leipzig
2016






Billboard Works in Public Space, Dresden Public Art View, OFFM Panel Arts
Dresden, Frankfurt am Main und Leipzig
2015

All Exhibitions
Beispielausstellung Nr. 1
Die Zeichen stehen gut
POW
Zeit ist Geld. Eine Schnecke ist eine Schnecke.
Plakate zum Gallery Weekend
Liquid Company – flüssige Gesellschaft
Muttererde
To see a full view of the work, revisit the site soon. The site is currently under construction.

The signs are good.
Die Zeichen stehen gut.
Miriam Stoney
Post-industrial society has lost its grip on notions of work, rest and leisure. The rise of immaterial labour has been met with a growing optimisation of the individual, a continuous variable with multiple presences and temporalities. The prevalence tide of mixed, private-professional engagement forces us to be always, all ways, switched on. What does this mean for our intimate lives, our privacy and our integrity?
Our needs and desires are changing, as are our values. Well, the signs, the prospects, the indications are good. Good for what, for whom? Ask the objects that surround us, that serve us and distract us on a daily basis.
Objects that perform so that we can too. They help us tend to our delicate, docile bodies so we can stay in the race, multi-tasking and mobile. Carefully compartmentalised, even our tears are ergonomic these days.
Kinesio tape on the shoulder replaces a warm hand, a touch helping us keep it together. As technologies of self-regulation and -exploitation are condensed and dispersed through our mental, emotion and physical lives, we’d better stay on the good side of these gadgets and tools.
Post-industrial society has lost its grip on notions of work, rest and leisure. The rise of immaterial labour has been met with a growing optimisation of the individual, a continuous variable with multiple presences and temporalities. The prevalence tide of mixed, private-professional engagement forces us to be always, all ways, switched on. What does this mean for our intimate lives, our privacy and our integrity?
Our needs and desires are changing, as are our values. Well, the signs, the prospects, the indications are good. Good for what, for whom? Ask the objects that surround us, that serve us and distract us on a daily basis.
Objects that perform so that we can too. They help us tend to our delicate, docile bodies so we can stay in the race, multi-tasking and mobile. Carefully compartmentalised, even our tears are ergonomic these days.
Post-industrial society has lost its grip on notions of work, rest and leisure. The rise of immaterial labour has been met with a growing optimisation of the individual, a continuous variable with multiple presences and temporalities. The prevalence tide of mixed, private-professional engagement forces us to be always, all ways, switched on. What does this mean for our intimate lives, our privacy and our integrity?
Our needs and desires are changing, as are our values. Well, the signs, the prospects, the indications are good. Good for what, for whom? Ask the objects that surround us, that serve us and distract us on a daily basis.
Objects that perform so that we can too. They help us tend to our delicate, docile bodies so we can stay in the race, multi-tasking and mobile. Carefully compartmentalised, even our tears are ergonomic these days.
Kinesio tape on the shoulder replaces a warm hand, a touch helping us keep it together. As technologies of self-regulation and -exploitation are condensed and dispersed through our mental, emotion and physical lives, we’d better stay on the good side of these gadgets and tools.
Contact
hello [at] luisemarchand.info
Luise Marchand
Lindenstrasse 115
10969 Berlin
Galerie
Galerie K’
info [at] k-strich.de
Alexanderstraße 9b
28203 Bremen
Imprint
Design & Code
Albrecht Gäbel
Contact
hello [at] luisemarchand.info
Luise Marchand
Lindenstrasse 115
10969 Berlin
Imprint
Design & Code
Albrecht Gäbel